The 1.4mm matte standoff, and the 2" to 3" unprinted paper surround to the image give sufficient information. I don't agree about the framing negating paper choice, I can easily tell the textured papers like Hahnemuhle German Etching, from Canson Platine when framed. no I won't be trialing Epson paper at the moment. So, whilst I thank you for the recommendation. If manufacturers can't produce informative communication, beyond the bleating pseudo artist, then I am off to find an easier to choose product. What I am trying to say is, when competition for papers is so huge, so many manufacturers and so many surfaces, I really want to find out information quickly and efficiently. SHOW US ! 3) Anyone can be paid to speak, gifted till they sing a song, but as we all know because everything we do is about how it looks, it is seeing it that informs us. so SHOW US 2) If it has a reaction to light and a surface texture. OK first thing about imaging 1) it is a visual medium. he said tactile feel is all !įunny bit is, nowhere in his long and dreary outburst did he touch lift and show us the paper. Rich, I have trawled through Epsons websites and finally came to the one where a Mr Versace eloquently described how even when it is finally placed under glass in a frame, the print is first sold in the hand. Saturated greens in the grassy landscape are warmer, but without it compromising the blues in the sky. Similar to a Fotospeed NST but the shadows are not as harsh in the lower midd, but still retaining a D Max. It is made from bamboo and is a "sustainable" material for the greens But more interestingly it is slightly off white and has an unusual style. Simple texture like Fotospeed Nst, perhaps slightly more textured but only very slightly. If any of you care to try, I have been playing with Hahnemuhle Bamboo paper. Cuthberts Mill from Wells here in the UK, they produce some interesting textured watercolour type papers under the Somerset and Bockingford names. I have tried several of their rags and baryta and they are great. The Canson Aquarelle I will have to have a look at too, perhaps at a show I am going to in a couple of weeks. I have ordered a Hahnemuhle test pack of textured paper today, so should start profiling it tomorrow. Below are some things to pay attention to.Thanks Mike and Howard. Similarly, many specific factors influence the overall impression of a sculpture. Does it look flat or three-dimensional? What kind of perspective is used? (e.g., one-point perspective, or bird’s eye view?)Į.g., in this painting, Picasso uses multi-dimensional geometrical shapes. Speak about the handling of space in the picture. Where does the light come from? Is there a strong value contrast? In what way does the shadow function? What, in your opinion, does it evoke?Į.g., strong contrast makes the central figures stand out. Are there broad paint strokes, small points of color, or just a smooth surface? What effect does it help to achieve?Į.g., Van Gogh’s broad brush strokes help to create a sense of motion.ĭescribe how the light is depicted. What school of painting does it belong to?Is it typical or unusual for this particular school?Į.g., Monet’s Water Lilies is a typical Impressionist painting.ĭescribe the way the artist applies paint.
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